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ORIGINAL HARRIET FRISHMUTH BRONZE *PAS DE DEUX*
GUARANTEED AUTHENTIC SIGNED FRISHMUTH - ART DECO
| Start Price |
USD 38,500.00 |
| Current Price |
USD 38,500.00 |
| Time Left |
- |
| Bid Count |
0 |
| Buy It Now Price |
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| Reserve Price |
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| Start Time |
Thursday, August 14, 2008 |
| End Time |
Sunday, August 24, 2008 |
| Location |
New York, New York |
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See more about 'ORIGINAL HARRIET FRISHMUTH BRONZE *PAS DE DEUX*'
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Description
LOT#7088/4 READ THIS CAREFULLY: This is an authentic bronze produced by the Gorham Foundry and made in the 1920's. This is an original Harriet Whitney Frishmuth sculpture titled "PAS DE DEUSX". No scratches, exquisite GREEN patina. The piece is set on a black onyx base and measures 67 Centimeters wide from the finger tips to tips, 43.5 centimeters tall with the base. Base is 17 centimeters wide. ORIGINAL AND AUTHENTIC. Signed Harriet W. Frishmuth copyright 1921. Gorham Founders. We guarantee safe arrival of this item to your door. We offer a 100% satisfaction guarantee on items we sell. Royal Estates Gallery showroom is located at 24 W 55th Street, NY NY 10019. Tel: 1-212-581-4848. Feel free to ask questions via email to Or call toll free: 1-888-249-1988. Pay by PayPal for shipping within 48hrs of receipt of payment. We ship via UPS inside the USA, & U.S. Mail to international addresses. Shipping prices vary outside the USA. ONE FLAT shipping FEE INSIDE THE USA. N.Y. residents must pay applicable sales tax. PAYPAL, MC, VISA, AMEX, CHECKS, MONEY ORDERS, DISCOVER! ALL ADDRESSES MUST VERIFY WITH BILLING ADDRESSES FOR SHIPMENT. ABOUT THE ARTIST Harriet Frishmuth was born in Philadelphia, Pennsylvania, on September 17, 1880. She studied briefly with Rodin at the École des Beaux-Arts in Paris, for two years with Euchtriz in Berlin, and at the Art Students League of New York under Gutzon Borglum and Hermon Atkins MacNeil. While in New York she worked as an assistant to the sculptor Karl Bitter and performed dissections at the College of Physicians and Surgeons. Her first commissioned piece was in 1910 from the New York County Medical Society who commissioned her to do a bas-relief. She also modeled ashtrays, bookends, and small figures for Gorham; these early pieces are highly sought after by collectors. Her career grew steadily and she became well-known for her beautiful renderings of females in bronze, particularly dancers (Desha Delteil frequently modeled for her). Her small bronzes were sought after by private collectors and by museums, and her large bronzes often found a central place in elaborate garden settings. Her work was exhibited at the National Academy of Design, the Academy of Fine Arts in Philadelphia, the Salon in Paris, the Golden Gate International Exposition (1939-1940) and the National Association of Women Painters and Sculptors. One of her last exhibits was in New York City in 1929; although she remained active in the art world for decades afterwards, the Great Depression affected her livelihood and she closed her New York studio in the 1930s and returned to Philadelphia. She died in Connecticut in 1980, at the age of 99. Harriet Frishmuth scorned modern art and was quite outspoken on the subject, calling it "spiritless" (she was equally outspoken in her dislike of the word "sculptress"). She received a number of recognitions and honors over the course of her career: the St. Gaudens prize (while still a student), several awards from the National Academy of Design, a prize from the Grand Central Art Galleries, an honorable mention from the Golden Gate International Exposition and the Joan of Arc Silver Medal from the National Association of Women Painters and Sculptors. "The Vine" (1923), a larger-than-life-size bronze considered one of her finest pieces, is in the American wing of the Metropolitan Museum of Art. The real McCoy. Your browser does not support JavaScript. To view this page, enable JavaScript if it is disabled or upgrade your browser. Click Here. Double your traffic. Get Vendio Gallery - Now FREE!
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